List of the Best Lenses for Vlogging for Canon Nikon Sony – Wide Angles

    Vlogging has gained great prominence in the last few years. It is the practice of posting short videos to a vlog or to maintain a vlog. You may wonder what a vlog is. It stands for a video blog, and in such blogs, most or every type of content is available in a video format. Generally, vlog posts comprise creating a video where you discuss a specific subject. If you intend to begin vlogging but inexperienced in this industry, you may be perplexed on what lens to use.

    Related: List of the Best Interview Microphones

    Worry not! It can seem not easy initially, but this post is solely created to give you enough information to get you started.

    The present post provides thorough details on all the procedures of selecting the appropriate lens. After you know how to choose, you will be guided on those decent enough models for vloggers.

    If you plan to start vlogging on YouTube or want to buy a mirrorless camera or DSLR camera, you can pick the lens from this list. This is regardless of the camera brand.

    Now let’s learn what to emphasize first.

    Also Read: List of Budget Cameras with Flip Screens

    What Lens Will I Need?

    Firstly, you need to be familiar with the sensor size of the camera you plan to use. It can be any one of the following:

    • Full-frame
    • APS-C
    • Micro Four Thirds

    The majority of the DSLRs possess an APS-C sensor, whereas the full-frame is present only in the most high-end DSLRs in the market.

    The full-frame is the biggest size and provides supreme benefits when it comes to image quality.

    Contrasting to that, the Micro Four Thirds sensors are the tiniest of these 3 types. Frequently, they are found in a few mirrorless camera brands such as Olympus and Panasonic. Yet, APS-C is prevalent in Sony mirrorless cameras.

    It is vital to know your camera’s sensor size to make sure you can pick up the appropriate focal length.

    Selecting the Perfect Focal Length:

    A lens equipped with a focal length of 50 mm will appear more zoomed-in while utilized on a Micro Four Thirds camera than on an APS-C.

    With a focal length of 50 mm, the lens would appear more zoomed-in while incorporated on an APS-C camera than on a Full-frame.

    It is crucial first to select the perfect length. The reason is it informs you of the zoom level your camera can attain.

    I wish to demonstrate how various focal lengths appear by depicting you a few example images of lenses with focal lengths like 50 mm, 35 mm, and 24 mm. These 3 focal lengths are the prominent choices for vlogging.

    Every image I am about to depict you were captured in an APS-C sensor camera. Hence, if your camera makes use of any other size, go through the below table to determine which focal length would be the best fit to attain a similar look:

    Focal Length Equivalency Table:

    Full-frameAPS-CMicro 4/3
    80 mm50 mm38 mm
    56 mm35 mm27 mm
    38 mm24 mm18 mm

    To select the appropriate focal length, it is necessary to know how you intend to use your camera.

    Focal Lengths as given are nearly comparable and may designate available lenses:

    Film Size35mm1202″x3″4″x5.”
    Image Format24x36mm56x68mm2″x3″4″x5.”
    Film Typerollrollsheetsheet
    Focal Length18mm37mm—-—-
    Ex. Wide Angle
    Focal Length20mm—-65mm
    28mm65mm53mm90mm (3-1/2″)
    Moderate Wide Angle
    Focal Length100mm (4″)
    35mm75mm65mm127mm (5″)
    40mm75mm135mm (5-1/4″)
    Focal Length50mm110mm100mm152mm (6″)
    65mm127mm—-203mm (8″)
    Moderate Telephoto
    Focal Length85mm150mm—-250mm (10″)
    Medium Telephoto
    Focal Length100mm210mm202mm—-
    135mm250mm—-380mm (15″)
    Long Telephoto
    Focal Length250mm500mm—-—-

    When shall I use a 50mm lens??

    For recording at home and plenty of space available in the studio, you can go for a 50 mm lens as it boasts the highest quality output.

    For effective use, you will require a tripod. This is because the lens comes with a considerable zoom effect.

    Also, you will require ample space and a remote controller to position the camera at enough distance away.

    When using on an APS-C camera, the 50 mm lens appears like this:

    If you dislike the zoom effect, you can go for a 35 mm lens.

    It depicts more portion of the surroundings. Moreover, it is helpful to show more portions f the space you are currently at.

    Since you may not have to place your camera at a far distance, you don’t require much space.

    It appears like this:

    When shall I use a wide-angle lens (focal length of 24mm or less)?

    Using a camera in selfie mode and recording videos while walking will require a wide-angle lens. This type of lens lets you stay near to your camera.

    For APS-C, I recommend choosing a focal length not more than 24mm.

    In case you utilize a selfie stick to carry along your camera when recording on your own, it must look this below:

    It is possible to use wider lenses. However, keep in mind that occasionally the things begin to appear distorted, identical to a fish-eye lens.

    It is advisable to make use of a selfie stick. You can use any of these tiny tripods along with your camera. This is since it assures high stabilization and makes sure the camera stays far from your face.

    Is Optical Image Stabilization (OIS) Needed?

    I never recommend a camera that lacks an image stabilization (IS) feature. It is inevitable for vloggers.

    To make sure I am telling the truth, watch the below video test that demonstrates with and without OIS function on GoPro HERO5 Black:

    Nobody likes the shaky effect after watching you when you walk around carrying your camera.

    But, plenty of mirrorless and DSLRs cameras I recommend over this website are devoid of image stabilization. However, it is because you can purchase a lens with OIS for them.

    You may not need it every time.

    For example:

    For the following cases, you don’t require the OIS feature:

    • You intend to place your camera on a tripod and use it merely for recording, or
    • You want to walk around carrying your camera when recording; however, your camera is already equipped with in-body IS (digital IS not considered)

    You need the OIS feature for the following cases:

    1. You have to walk around carrying your camera when recording (handheld)
    2. Your camera only possess digital image stabilization

    If you have to hold your camera, the OIS feature is necessary.

    Those lenses with OIS are usually costly, so pick it only if you actually require it.

    Now ask yourself about your budget for buying the lens.

    For that, you have to:

    Get Familiar About Aperture and f-Number:

    The f-number is one of the significant characteristics found in such lenses.

    It appears like f/1.4, f/1.8, f/2.0…

    The above is merely a measure to demonstrate the maximum aperture the lens can handle.

    • More lens aperture is proportional to more light the lens enables to penetrate the sensor.
    • More lens aperture is proportional to higher quality
    • More lens aperture is proportional to the lower f-number


    The lens can receive more light if the f-number is lower—the same converts to enhanced low-light performance.

    The depth of field is directly proportional to the f-number. It results in the production of a huge portion of the blurry background effect.

    The lens can achieve a better quality output if the f-number is lower. It provides a better Bokeh effect, sharper images, and more light.

    If the focal length is bigger, the lenses would have more aperture and a lower f-number. So, you must begin by asking if you can use a 50 mm. If this lens provides an excessive zoom effect, select a wide-angle lens with a low aperture, such as 24 mm.

    Always target to get the lens with the lowest f-number possible.

    Avoid Choosing an Incompatible Lens:

    The eventual aspect you have to know is the type of lens mount your camera possesses.

    Though the lens is designed for your explicit brand and the sensor size, you must know about the mount.

    For instance, all APS-C Canon lenses are not compatible with all the Canon APS-C cameras. Make sure if your camera utilizes EF, EF-S, or the EF-M mount.

    If this sounds too complex, worry not.

    I am ascertaining that I am incorporating all the mounts and the information you have to know to check if a lens is compatible with the camera you use.

    It is great to go through your camera manual or product detail available on an e-commerce site. As a result, you can determine the mount-type and sensor size your camera possesses.

    Now You Are Aware of How to Choose

    You have now learned to consider the following things:

    • Determine the sensor size of your camera
    • Determine the focal length you require for your specific vlogging style
    • Determine if you require optical image stabilization
    • Determine the lens mount of your camera, so you don’t end up with an incompatible lens
    • Pick the lens having the lowest f-number that you could afford for attaining the superior quality output.

    With this information, now you can go through the table I prepared for your brand. So, you can pick one of the vlogging lenses I have chosen to be appropriate for vlogging.

    Let’s go through the details of the best lenses for vlogging:

    • The 51 Best Lenses for Vlogging
    • Canon Vlogging Lenses
    • Zoom Lenses


    These lenses provide plenty of zoom effects. I advise using a tripod for recording with these lenses. This is because you will have to get far from the camera to be within the frame. The same applies to Full-frame cameras.

    ParametersCanon EF 50mm f/1.8 STM LensCanon EF 40mm f/2.8 STM LensCanon EF 50mm f/1.4 USMSigma 50mm F1.4 ART DG HSMCanon EF 50mm f/1.2 L USM Lens
    ImageBest Budget Canon Prime Lenses
    Lens TypeStandardStandardTelephotoStandardStandard
    Focal length50 mm40 mm50 mm50 mm50 mm
    OISNot availableNot availableNot availableNot availableNot available
    Motor operationEF STM (Stepping motor)EF STM (Stepper motor)EF USM (Ultrasonic autofocus motor)DG HSM (Hyper Sonic Motor)EF USM (Ultrasonic Motor)
    Maximum Aperturef/1.8f/2.8f/1.4f/1.4f/1.2
    Minimum Aperture2222221616
    Focus typeStepper motorStepper motorUltrasonicRing-type ultrasonicRing-type ultrasonic
    Camera CompatibilityFull-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-CFull-frame, APS-C, Mirrorless (with adapter)
    Photo Filter Thread size49 mm52 mm58 mm77 mm72 mm
    Lens construction6 elements in 5 groups15 Elements in 12 Groups7 elements in 6 groups13 elements in 8 groups
    Closest Focusing Distance1.15 ft. / 0.35m0.98 ft./0.30 m1.5 feet1.31 ft./0.4m1.48 ft. /0.45m
    Product dimensions1.54 x 2.72 x 2.72 inches0.87 x 2.68 x 2.68 inches2.01 x 2.91 x 2.91 inches3.94 x 3.35 x 3.35 inches2.6 x 3.39 x 3.39 inches
    Weight5.60 ounces4.59 ounces0.64 lbs1.80 lbs1.28 lbs
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    These lenses are suitable for recording yourself in the selfie mode when you use a Full-frame. When using APS-C cameras, you need to remember to use these lenses for tripod recording and not a 50 mm lens. This needs to be considered if you deem that the zoom is excessive.

    ParametersCanon EF-S 35mm f/2.8 Macro IS STMSigma 30mm F1.4 Art DC HSMCanon EF 28mm f/1.8 USMCanon EF 35mm f/2 IS USMCanon EF 35mm f/1.4L USM
    Lens TypeMacroStandardWide AngleWide AngleWide Angle
    Focal length35 mm30 mm28 mm35 mm35 mm
    OISAvailableNot availableNot availableAvailableNot available
    Motor operationEF-S STM (Stepper motor)DC HSM (Hyper Sonic Motor)EF USM (Ultrasonic Motor)EF USM (Ultrasonic Motor)EF USM (Ultrasonic Motor)
    Maximum Aperturef/2.8f/1.4f/1.8f/2f/1.4
    Minimum Aperture2.816222222
    Focus typeAutofocusUltrasonicUltrasonicRing-type ultrasonicRing-type ultrasonic
    Camera CompatibilityAPS-C, Mirrorless (with adapter)Full-frame, APS-CFull-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-C, Mirrorless (with adapter)
    Photo Filter Thread size62 mm28 mm67 mm72 mm
    Lens construction5 elements in 5 groups10 elements in 8 groups11 elements in 9 groups
    Angle of view35mm standard angle of viewequivalent to 45mm on a 35mm camera75°63°63°
    Closest Focusing Distance1.15 ft. / 0.35m0.98 ft./0.30 m1 foot0.79 ft. / 0.24m1 foot
    Product dimensions2.2 x 2.7 x 2.7 inches2.48 x 2.91 x 2.91 inches2.2 x 2.91 x 2.91 inches2.48 x 3.07 x 3.07 inches3.39 x 3.11 x 3.11 inches
    Weight6.70 ounces0.96 lbs0.68 lbs0.74 lbs1.28 lbs
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    Wide-angle for Handheld Vlogging

    The wide-angle lenses are designed for recording in the selfie mode on Full-frame as well as APS-C cameras. Such lenses attain a wide image when utilizing the latter.

    ParametersCanon EF-S 24mm f/2.8 STM LensCanon EF-S 10-18mm f/4.5-5.6 IS STM LensSigma 10-20mm f/3.5 DC HSM LensCanon EF 20mm f/2.8 USM LensCanon EF 24mm f/2.8 IS USM Lens
    Lens TypeWide AngleWide AngleWide AngleWide AngleWide Angle
    Focal length24 mm10-18 mm10-20 mm20 mm24 mm
    OISNot AvailableAvailableNot availableNot AvailableAvailable
    Motor operationEF-S STM (Stepper motor)EF-S

    (Stepping motor)

    EX DC HSM (Hyper Sonic Motor)EF USM (Ultrasonic motor)EF USM (Ultrasonic motor)
    Maximum Aperturef/2.8f/4.5f/3.5f/2.8f/2.8
    Minimum Aperture2229222222
    Focus typeStepper motorStepper motorRing-type ultrasonicUltrasonicRing-type ultrasonic
    Camera CompatibilityAPS-C / Mirrorless (with adapter)APS-C / Mirrorless (with adapter)APS-CFull-frame, APS-C, Mirrorless (with adapter)Full-frame, APS-C, Mirrorless (with adapter)
    Photo Filter Thread size52 mm67 mm82 mm72 mm58 mm
    Lens construction6 elements in 5 groups14 elements in 11 groups11 elements in 9 groups11 elements in 9 groups
    Angle of view59°10′107°30′ – 74°20′102.4°94°84°
    Closest Focusing Distance0.52 ft. / 0.16 m0.72 ft. / 0.22m0.78 ft./0.24m0.8 ft. / 0.24m0.20m / 0.66 ft.
    Product dimensions0.91 x 2.68 x 2.68 inches2.83 x 2.95 x 2.95 inches3.46 x 3.43 x 3.43 inches2.8 x 3.07 x 3.07 inches2.2 x 2.68 x 2.68 inches
    Weight4.41 ounces0.53 lbs1.15 lbs0.89 lbs0.62 lbs
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    EF-M Lenses for Canon Mirrorless:

    Such lenses are flawlessly compatible with Canon’s EF-M cameras, and they are their mirrorless APS-C cameras. Moreover, these lenses are excellent for vlogging. They are famous for being lightweight, and the majority of them possess image stabilization.

    ParametersCanon EF-M 22mm f2 STMCanon EF-M 28mm f/3.5 Macro IS STM LensCanon EF-M 11-22mm f/4-5.6 STM Lens
    Lens TypeStandardMacroWide Angle
    Focal length22 mm28 mm11-22 mm
    OISNot AvailableAvailableAvailable
    Motor operationEF-M STM (Stepper motor)EF-M STM (Stepper motor)EF-M STM (Stepper motor)
    Maximum Aperturef/2.0f/3.5f/4
    Minimum Aperture2222
    Focus typeStepper motorAutofocus
    Camera CompatibilityMirrorlessMirrorlessMirrorless
    Photo Filter Thread size43 mm55 mm
    Lens construction7 elements in 6 groups11 elements in 10 groups12 elements in 9 groups
    Angle of view63°30′51°55’102°10’–63°30′
    Closest Focusing Distance0.49 ft./ 0.15m0.318 ft./0.097m0.49 ft./0.15m
    Product dimensions0.94 x 2.4 x 2.4 inches3.7 x 3.7 x 4.5 inches3.7 x 3.7 x 6.08 inches
    Weight3.70 ounces4.6 ounces7.76 ounces
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    Types of Canon Lenses:


    These types of Canon lenses are designed to use with their full-frame cameras. But, they can also work with APS-C.

    Also, you can use them on an EF-M mirrorless through this adapter.


    The EF-S lenses are compatible only with APS-C sensors. For use on a Canon mirrorless camera that contains an EF-M mount, you need this adapter.


    Such lenses were designed for Canon mirrorless cameras.

    Sigma’s DC:

    They are compatible with APS-C cameras.

    STM (Smooth Transition for Motion):

    These types of lenses include a motor that is designed to work silently while focusing. The same makes them suitable for recording. This is since you would not listen to the autofocus while the video is being played. It aids when you also use the incorporated microphone.

    Especially, they are silent for video, which is one reason why Canon is more suitable for video.

    USM (UltraSonic Motors):

    The USM lenses focus more quickly, and they work silently. This holds only for those cameras that contain a Ring USM motor. Those lenses that are only of USM type are not so different from a standard one.

    Only the costly models have Ring USM. Therefore, you must prioritize STM lenses because, for video recording, they are more silent.

    Sigma’s HSM:

    This is comparable to Canon’s USM lenses. Moreover, they are designed for quick and noise-free focus.

    IS (Image Stabilization):

    Several DSLR cameras are devoid of image stabilization. This is the key aspect you must focus on if you want to record during movements. Plenty of vloggers want to carry their cameras and accomplish recording while walking. Such lenses are ideal for this since the image will not appear unsteady while you walk and record.

    Nikon Vlogging Lenses:

    Nikon zoom lenses suitable for use on a tripod:

    ParametersNikon AF FX NIKKOR 50mm f/1.8D LensNikon 35mm f/1.8G AF-S DX LensNikon AF-S FX NIKKOR 50mm f/1.8G LensNikon AF-S FX NIKKOR 50mm f/1.4G LensSigma 30mm F1.4 Art DC HSM Lens for Nikon
    Lens TypeStandardWide AngleStandardStandardStandard
    Focal length50 mm35 mm50 mm50 mm30 mm
    OISNot AvailableNot AvailableNot availableNot AvailableNot Available
    Motor operationSilent Wave Motor (SWM)Silent Wave Motor (SWM)Silent Wave Motor (SWM)Silent Wave Motor (SWM)Hyper Sonic Motor (HSM)
    Maximum Aperturef/1.8f/1.8f/1.8f/1.4f/1.4
    Minimum Aperture22161616
    Focus typeScrew drive from the cameraUltrasonicRing-type ultrasonicUltrasonic
    Camera CompatibilityFull-frame, APS-CAPS-CFull-frame, APS-CFull-frame, APS-CAPS-C
    Photo Filter Thread size52 mm52 mm58 mm58 mm62 mm
    Angle of view31°30′ (DX-format)/ 46°(FX-format)/47°31°30′ (DX format)/ 46°(FX format)/equivalent to 45mm on a 35mm camera
    Closest Focusing Distance1.5 ft./ 0.45 m1.48 ft/ 0.45 m1.47 ft. / 0.45 m0.98 ft/ 0.3 m
    Product dimensions2.5 x 2.5 x 1.54 inches2.09 x 2.76 x 2.76 inches2.09 x 2.83 x 2.83 inches2.13 x 2.91 x 2.13 inches2.48 x 2.91 x 2.91 inches
    Weight5.47 ounces7.4 ounces6.53 ounces0.64 lbs0.96 lbs
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    Wide-angle Lenses for Handheld Vlogging:

    I came to know that Nikon does not provide any feasible wide-angle lens for vlogging. In case you only use a Nikon DSLR and wish to perform handheld vlogging, I will recommend Sigma 10-20mm f/3.5 EX DC HSM (check it here).

    The reason is it is the only lens available at a slightly affordable price. However, it does not come with image stabilization.

    Nikon cameras were not designed for portable video recording. Thus, if you need a camera for recording vlogs regardless of the place, choose a compact camera (check it here), and use your Nikon DSLR for recording videos through a tripod when incorporating any of the lenses discussed above.

    Using 2 distinct cameras for every task is the only approach if you use a Nikon camera.

    Types of Nikon Lenses:


    These Nikon’s lenses are designed for APS-C. It is possible to use them on Full-frame (FX) lenses as well. However, to prevent hassles with vignetting, go for a DX lens when using a DX camera.


    Such lenses are designed for the Full-frame cameras from Nikon. But you could use them on the DX bodies; no worries.

    AF (Autofocus):

    These types of lenses are the most affordable. They implement the body motor of the camera to autofocus. In case a motor is absent, they could not use autofocus. It implies that the performance of your lenses relies on the motor performance of the camera.

    AF-S (Auto Focus with Silent Wave Moto):

    There is an internal motor for the lens to implement instead of using the one that ships along with the body. Generally, they contain an efficient motor for quick and quiet autofocus rather than what the camera provides. So, you will get them at a high price.

    D Type:

    These lenses are an earlier model from the brand Nikon. The key difference is that you could manually set the aperture using the lens instead of using the camera interface. It is now futile, so only a type of lens is vanishing.

    G Type:

    Considered the latest NIKKOR lenses, they are devoid of the manual aperture setting. Still, you can use the interface of the camera. Essentially, they are more costly because they are newer models. But there is no prominent difference.

    You need not worry about D vs. G comparison while selecting a Nikon lens. It would help if you considered AF vs. AF-S.

    For Sigma lenses nomenclature, choose the 50mm Fixed Lenses for following the Sigma DSLR section.

    Sony Vlogging Lenses:

    If you are planning to invest in the Sony mirrorless ecosystem, our recommendations should meet your expectations when it comes to vlogging.

    Best Sony Full-frame Lenses:

    The below lenses are slightly costly since you can use them on Full-frame cameras from Sony, for example, the Sony A7S II. But, you can also use them on Sony APS-C Mirrorless cameras.

    Zoom lenses suitable for use on a tripod (Full-frame):

    Keep in mind that the output of an 80mm lens over a Full-frame camera appears like a 50 mm lens in an APS-C camera. Therefore, a 35mm lens within a Full-frame camera is regarded as wide-angle; not suitable on an APS-C.

    If you want, look at the table above to know the focal length parity for every sensor size.

    ParametersSony – FE 50mm F1.8 Standard Lens (SEL50F18F)Sony 55mm F1.8 Sonnar T FE ZA LensZeiss Batis 85mm f/1.8 Lens for Sony E MountSony SEL50F14Z Planar T FE 50mm f/1.4 ZA Lens
    Lens TypeStandardStandardTelephotoStandard
    Focal length50 mm55 mm85 mm50 mm
    OISNot AvailableNot AvailableNot availableNot Available
    TypeFull-frame E-mount (FE)Full-frame E-mount (FE)Full-frame E-mount (FE)Full-frame E-mount (FE)
    Motor operationFast DC motor focus actuator systemStepper motorStepper motor
    Maximum Aperturef/1.8f/2.8f/1.8f/1.4
    Minimum Aperture22222216
    Focus typeAutofocusAutofocusAuto/Manual, AutofocusAutofocus
    Camera CompatibilityFull-frame, APS-CFull-frame, APS-CFull-frame, APS-CFull-frame, APS-C
    Photo Filter Thread size49 mm49 mm67 mm
    Angle of view32°43°
    Closest Focusing Distance1.48 ft.1.64 ft.1.48 ft
    Product dimensions2.7 x 2.34 x 2.7 inches2.8 x 2.52 x 2.52 inches4.1 x 3.6 x 3.6 inches7.64 x 4.65 x 4.72 inches
    Weight6.6 ounces9.9 ounces1.05 pounds2.41 pounds
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    Wide-angle for handheld recording (Full-frame):

    When you plan to record in selfie mode, you can go for a 35 mm, provided you use a Full-frame camera. When using APS-C, you require a lens with a minimum focal length of 24 mm. There is too a section after the below table.

    ParametersSony 35mm F2.8 Sonnar T FE ZA LensZeiss Batis 25mm Wide-Angle Camera LensSony 16-35mm Vario-Tessar T FE F4 ZA OSS LensSony SEL35F14Z Distagon T FE 35mm ZA Lens
    Lens TypeWide AngleWide AngleWide AngleWide Angle
    Focal length35 mm25 mm16-35 mm35 mm
    OISNot AvailableNot AvailableAvailableNot Available
    TypeFull-frame E-mount (FE)Full-frame E-mount (FE)Full-frame E-mount (FE)
    Maximum Aperturef/2.8f/2f/4f/1.4
    Minimum Aperture22222216
    Focus typeInternal focusingAuto/Manual, AutofocusAutofocusPiezoelectric
    Camera CompatibilityFull-frame, APS-CFull-frame, APS-CFull-frame, APS-CFull-frame, APS-C
    Photo Filter Thread size49 mm67 mm72 mm72 mm
    Angle of view44º (APS-C), 63º (35 mm Full Frame)83°-44° (APS-C) 107°-63° (35mm)
    Closest Focusing Distance1.15 ft./ 0.35 m0.92 ft/ 0.28 m0.98 ft/ 0.3 m
    Maximum Magnification ratio0.12x0. 19x0.18x
    Product dimensions1.46 x 2.44 x 2.44 inches3.6 x 3.2 x 3.2 inches3.9 x 3.07 x 3.07 inches4.41 x 3.11 x 3.11 inches
    Weight4.23 ounces0.74 lbs1.14 lbs1.39 lbs
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    Best Sony E-Mount Lenses (APS-C):

    We did a post earlier for E-Mount, but the following list is purely focused on vlogging.

    On a side note, even with image stabilization, Zoom lenses are suitable for use on a tripod (APS-C) in most scenarios.

    ParametersMeike 35mm F1.7 Large Aperture LensSigma 30mm F2.8 DN LensSony – E 50mm F1.8 (SEL50F18/B) LensRokinon 50mm F1.4 LensSony SEL35F18 35mm f/1.8 Lens
    Lens TypePrime lensWide AngleTelephotoStandardWide Angle
    Focal length35 mm30 mm50 mm50 mm35 mm
    OISNot AvailableNot AvailableAvailableNot AvailableAvailable
    TypeE-MountE-Mount USME-Mount OSSE-MountE-Mount
    Maximum Aperturef/1.7
    Minimum Aperture222222
    Focus typeManual FocusManual FocusStepper motorManual FocusStepper motor
    Photo Filter Thread size49 mm77 mm49 mm
    Angle of view44°20′ (Diagonal), 36°30′(Horizontal), 23° (Vertical)39.6°32°44°
    Closest Focusing Distance0.98 ft./ 0.3 m0.98 ft./0.3 m1.28 ft./0.39 m)1.47 ft. / 0.45 m0.99 ft/ 0.3 m
    Product dimensions1.8 x 1.8 x 1.23 inches2.4 x 60.6 x 1.4 inches2.44 x 2.44 x 2.44 inches3.97 x 3.2 x 3.2 inches1.77 x 2.48 x 2.48 inches
    Weight6.40 ounces0 ounces7.13 ounces1.20 lbs5.47 ounces
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    Wide-angle for handheld recording (APS-C)

    ParametersSony SELP1650 16-50mm Power Zoom LensSony SEL-20F28 E-Mount 20mm F2.8 LensSony SEL35F18 35mm f/1.8 Prime Fixed LensSony F4 OSS Wide-Angle Zoom Lens (SEL1018)Sony Carl Zeiss Sonnar T E 24mm F1.8 ZA Lens
    Lens TypePower Zoom lensWide AngleWide AngleWide AngleFisheye
    Focal length16-50 mm20 mm35 mm10-18mm24 mm
    OISAvailableNot AvailableAvailableAvailableNot Available
    TypeE-Mount OSSE-MountE-Mount OSSE-Mount OSSE-Mount
    Motor operationInternal Stepping MotorStepper motorStepper motorStepper motorStepper motor
    Maximum Aperturef/3.5f/2.8f/1.8f/4f/1.8
    Minimum Aperture3622222222
    Focus typeManual FocusStepper motorStepper motorStepper motorMicromotor
    Photo Filter Thread size49 mm49 mm62 mm49 mm
    Closest Focusing Distance0.25 m0.66 ft./0.2 m0.99 ft./0.3 m)0.82 ft. / 0.25 m
    Product dimensions2.55 x 2.55 x 1.8 inches0.79 x 2.48 x 2.48 inches1.77 x 2.48 x 2.48 inches2.52 x 2.76 x 2.76 inches2.58 x 2.48 x 2.48 inches
    Weight4.2 ounces2.43 ounces5.5 ounces7.9 ounces7.9 ounces
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    SAM (Smooth Autofocus Motor):

    This acronym is prevalent for the cost-effective but tad quiet and fast lenses from Sony. Recognized as the lower-end version of the SSM lenses, they are genuinely quick and silent.

    DT (Digital Technology):

    They are made for APS-C sensor cameras. Such cameras are the most reasonably priced mirrorless and DSLRs. Furthermore, they can be utilized on a full frame; however, they would crop the image.

    OSS (Optical SteadyShot):

    It is Optical Image Stabilization (OIS) from is Sony.


    They belong to the lineup of Sigma (& Canon) silent autofocus lenses.

    FE (Full-frame E-mount):

    They work flawlessly with every E-mount camera, incorporating APS-C and Full-frame sensors.

    E Mount/A Mount:

    E-mount cameras could use A-mount lenses along with an adapter.

    The A-mount cameras could not adopt E-mount lenses.

    Panasonic and Olympus Vlogging Lenses:

    The lenses discussed below are designed for Micro Four Thirds cameras. It is possible to use them on Panasonic or Olympus. Both of them implement this smaller sensor size for the corresponding camera and possess compatible lens mounts.

    Remember that you have to purchase lenses with a low focal length for such cameras due to their crop factor. The resultant image on such sensors appears quite closer compared to that on APS-C.

    Therefore, I have chosen lenses from a 27 mm focal length for tripod recording. On the other hand, 18 mm lenses are practical for handheld vlogging.

    To compare how many focal lengths would appear on your video, you can glance at my focal length equivalency table.

    Zoom Lenses for Tripod Recording:

    ParametersPanasonic LUMIX G LENS, 25MM, F1.7 ASPH LensSigma ART 30MM F2.8 DN LensPanasonic LUMIX G II LENS, 20MM, F1.7 ASPHOlympus 25mm f1.8 LensRokinon 35mm F1.4 AS UMC Lens
    Lens TypeStandardStandardFisheyeStandardWide Angle
    Focal length25 mm30 mm20 mm25 mm35 mm
    OISNot AvailableNot AvailableNot AvailableNot AvailableNot Available
    AutofocusAvailableAvailableAvailableAvailableNot Available
    Maximum Aperturef/1.7f/2.8f/1.7f/1.8f/1.4
    Focus typeManual FocusAutofocusAutofocusStepper motorManual focus
    Photo Filter Thread size49 mm77 mm49 mm
    Angle of view47°the equivalent angle of view as a 60mm lens on the Micro Four Thirds systems47°84.1° (full-frame camera),

    57.6° (APS-C)

    Closest Focusing Distance0.66 ft./0.2 m)1 foot/ 0.3 m
    Product dimensions3.23 x 3.23 x 4.41 inches2.4 x 60.6 x 1.4 inches1.02 x 2.48 x 2.48 inches1.61 x 2.2 x 2.2 inches4.6 x 3.3 x 3.3 inches
    Weight4.41 ounces0 ounces3.07 ounces4.8 ounces1.4 pounds
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    Wide-Angle for Handheld Recording:

    ParametersSigma 19mm F2.8 EX DN ArtPanasonic LUMIX G X Vario, H-PS14042S LensOlympus M.Zuiko f1.8 17mm LensOlympus M ED 9-18mm f/4.0-5.6 LensOlympus M. Zuiko Digital ED 12mm f/2.0 Lens
    Lens TypeTelephotoTelephotoWide AngleWide AngleWide Angle
    Focal length19 mm14-42 mm17 mm9-18 mm12 mm
    OISNot AvailableAvailableNot AvailableNot AvailableNot Available
    TypeEXPower OIS
    Maximum Aperturef/2.8f/3.5f/1.8f/0.9f/2
    Minimum Aperture2222
    Focus typeFast FocusManual focusMicromotorMicromotorManual focus
    Photo Filter Thread size46 mm52 mm46 mm
    Closest Focusing Distance0.08 ft0.08 ft
    Product dimensions60.6 x 2.4 x 1.7 inches1.06 x 2.4 x 2.4 inches1.42 x 2.28 x 2.28 inches1.97 x 2.24 x 2.24 inches2.2 x 2.2 x 1.7 inches
    Weight0.00 ounces3.35 ounces4.2 ounces5.47 ounces4.64 ounces
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    Micro Four Thirds: It is the size of mirrorless cameras from Panasonic. A 12 mm lens appears like a 24 mm lens available on an APS-C sensor camera (with x2 crop factor) due to the smaller sensor size.

    Power OIS

    It is the latest image stabilization technology from Panasonic. It is essentially the enhanced version of the Mega OIS.

    Sigma EX

    This determines the higher quality lenses from Sigma. However, they have cut short using this nomenclature on the newest lenses. However, if you perceive it, the reason is the lens is essentially high-end.

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