List of the Best Interview Microphones for Nikon Canon DSLRs

If you are looking for the best interview microphones for Nikon Canon DSLRs, check out our list of recommendations.

In addition to superior video quality that a DSLR camera offers, you also need to have excellent sound quality. You should have a good option for most of your needs in terms of audio recording, especially for live events. In case you are thinking of filing something much serious, it may be a good idea to check out the best microphones that would get the work done.

Ideally best suited for the tasks such as interviews, or even if you are a storyteller who wants to provide a truly immersive experience for your audience, these interview microphones can be the right choice for such professional shooting experiences.

Let us check out a few good options for the best interview microphones for Nikon and Canon DSLRs.

What makes Interview Microphones a good option?

Audio quality in video production is of utmost importance. The On-Camera shotgun camera should be an excellent choice for almost everyone. If you are looking to enhance the quality of your audio for your audience, do use an external mic.

The preamps built within most of the DSLR cameras are not really of professional quality. They would ideally come with a few presets and not let you have access to a customized sound profile. They would be best when you think of the YouTube videos created sitting at your home or one single place. But for more varied applications such as interviews, press conferences, and even when covering events, they may fail to provide the required results.

In any case, grabbing yourself an external microphone may be a great idea to ensure that you have access to an exceptional quality of audio performance of your videos created with Canon and Nikon DSLRs.

How to choose the best Interview microphones for Nikon and Canon DSLRs?

Before you pick your choice of the best interview microphone for Nikon or Canon DSLR, it may be essential enough to check out a few key parameters to ensure performance standards.

Some of the factors worthy of consideration would be

• Budget – Of course, you won’t find them expensive. But they do come with different configurations. The exact price will be dependent on the actual requirements you may have.
• Type of the microphone – The interview microphones come in multiple formats. Shotgun type of receivers are widely used and are quite more comfortable to use. Lavalier microphones can be an excellent choice for interviews, vlogging, or for providing instructions. Handheld microphones are yet another option and can be seen in the case of journalism and reporting.
• Extra accessories – Some of the microphones may come with additional accessories. Whether you would want to go with these extra features is in tune with your needs.

Best Interview Microphones for Nikon/Canon DSLRs

Having understood how to choose the best interview microphones for your cameras, here are a few best options we found rather interesting and helpful.

Rode VideoMic Pro+

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One of the excellent options for the on-camera category of interview cameras, it is made available with the Rycote Lyre suspension system onboard. The microphone features a two-stage high pass filter. This can be effective in reducing the effect of low-frequency disturbances. Three-stage gain control can consistently improve the audio quality of your DSLR.

The microphone also features a high-frequency boost mechanism that improves the clarity and details in your recording. You also have access to a safety channel to help avoid clipping of signals when there is a spike.

With Rode VideoMic Pro+, you can be assured of world-class audio experience on your DSLR. Here are some of its high-level specifications:

• Acoustic Principle: Line Gradient
• Active Electronics: JFET impedance converter
• Capsule: 0.55″
• Polar Pattern: Supercardioid
• Frequency Range: 20Hz – 20kHz (selected HPF @75Hz/150Hz)
• Output Impedance: 200Ω
• Maximum Output Level: 7.7dBu (@ 1kHz, 1% THD into 1KΩ load)
• Power Options: Inbuilt rechargeable battery, USB bus-powered, AA

The only thing about these hyper cardioids is that they have excessive sensitivity behind the microphone. Not ideal for audio captures in a reverberant acoustics space.

Sevenoak MicRig Stereo

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This is a unique option that includes a stereo microphone in camera rig cum stabilizer. The receiver is suitable for working with almost any device right from smartphone to DSLR and has compatibility with your Nikon and Canon cameras. It also comes with accessories such as Windscreen and Shoe extender brackets.

The frequency range offered by the microphone ranges across 35Hz-20KHz. The low cut filter can be somewhat effective in reducing the rumble. You will also get access to an attenuator that will take care of the output reduction in tune with your camera. The included shock mounting ensures that there are no handling noises of any nature.

Specifications:

• Power: One 1.5V AA Battery
• Frequency response: 35-20, 000HZ+/-3dB
• Sensitivity: -35dB+/-1dB/0dB=1V/Pa, 1kHz
• Signal-to-noise ratio:78dB or More
• Microphone: Two 9.7mm condenser mics
• Output impedance:2000 ohm or less

Audio-Technica ATR-3350

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With the audio frequency of 50 – 18,000 Hz, this should be an excellent option for the best possible experience in terms of interview microphones for your Canon and Nikon DSLR cameras. The receiver belongs to the condenser mic category, and you would need a small battery for powering it. The battery back up is in the range of 4 to 5 hours.

The rejection of unwanted low-frequency ambient noise is one of the features that should make it an ideal choice for most of your video production needs with exceptional audio clarity. Of course, you will get a professional quality audio performance, but it should nevertheless be an excellent choice for most of your interviews. The omnidirectional polar pattern lets it pick the audio from any direction.

Specifications:

• Element: Condenser
• Polar Pattern: Omnidirectional
• Frequency Response: 50 – 18,000 Hz
• Open Circuit Sensitivity: -54 dB
• Impedance: 1,000 ohms
• Battery Type: LR44
• Weight: 6 g (0.2 oz)
• Cable: 6 m (20′) terminated with 3.5 mm (1/8″) dual mono mini-plug
• Accessories Furnished: Tie clip; battery; foam windscreen

BOYA BY-WM6

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Yet another Lavalier microphones for your Canon and Nikon DSLRs, it would provide you access to high performance as an interview microphone. The microphone is specifically designed to work with the DSLR cameras. The mic comes with a transmitter and receiver and is powered by a AA battery. The battery backup stands at an impressive 8 hours.

You can get access to a sound quality without any interference and static noise issues. The lightweight construction is yet another element that improves performance. A higher degree of rejection of ambient noise can be what should make it one of the much-preferred options. The omnidirectional pattern of the mic can pick crisp audio from any direction.

Specifications:

• Oscillator type: PLL Synthesized Control Oscillator
• Carrier Frequency Range: 584 MHz-608 MHz
• Channels: 48
• Frequency response: 60Hz-15 KHz+/-3 dB
• Operation range: 100m (300′)(without obstacle)
• Operating temperature: 14° F to 122° F (-10℃ to +50℃)
• Storage temperature: 14° F to 131° F (-10℃ to +55℃)

Rode Wireless Go

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If you are looking for a compact wireless system for a microphone on your DSLR, the Rode Wireless Go can be an excellent option. It can work wonderfully in a crowded environment and offer you a better long-distance recording.

Claimed to be the world’s smallest and lightest option for the best wireless microphone system, it suits your Canon and Nikon DSLR cameras comfortably. The built-in rechargeable batteries should be yet another added advantage. The seven-hour battery backup should be ideal enough for most of your requirements. You will indeed like the clip n go versatile functionality offered by the microphone.

Sennheiser MKH416

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The shotgun condenser microphone can be the right choice for a professional environment if you are checking out the best options available for an enhanced microphone efficiency. Whether you are checking it out for a voice-over talk or a sit-down interview, the microphone should ideally provide you with perfect performance standards.

The compact design and an improved directivity are the two features we fund imposing. It can double up as the best all in one microphone in a professional setup such as film, radio, and other broadcast scenarios. The receiver is specially designed for outdoor applications. The rugged construction should make it one of the most preferred options for extreme weather conditions.

Check out some of the high-level specifications here:

TAKSTAR SGC-598

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Are you looking for the best budget option among the DSLR microphones? The TAKSTAR SGC-598 should fit your bill perfectly without affecting the performance adversely. The receiver comes with a sturdy and robust build and should ideally the best you can go with for that exceptional efficiency.

The sturdy build of the microphone can effectively shield electromagnetic interference. The receiver is designed for a single point pickup. This will go a long way in avoiding any sort of surrounding environment or the sound associated with it. The design is shock resistant, making it the right choice for unwanted handling noises. The microphone also features a +10dB boost and a 200Hz high pass filter.

Specifications from the manufacturer:

• 1.5V AA alkaline battery-powered, battery life of up to 100 hours.
• Low power indicator, fully prepared ready to replace the battery.
• Technical parameters: Monomer: Back electret.
• Polar pattern: cardioid.
• Frequency response: 50Hz-16kHz.
• Sensitivity:-32dB À 3dB (0dB = 1V/Pa at 1kHz).
• Enhanced sensitivity: +10 db.
• The low-frequency attenuation: 60Hz 10dB / octave.
• Output impedance: 2000 À 30%.
• Use voltage: 1.5V AA batteries.

Shure VP83 LensHopper

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Unlike the option we just discussed, the Shure VP83 LensHopper should be a prime choice for the best high-end microphone for your needs. No matter whether you are a hobbyist or a professional, the receiver should ideally get your things done.

It can be an excellent solution for capturing high-quality sound on your DSLR camera. The super-cardioid polar pattern is one of the thoughtful inclusions that should make it a great option to capture sound without the need for any unwanted noise. The all-metal construction ensures that there are no interferences due to radiofrequency. You also have access to the Rycote Lyre system that takes care of the unwanted mechanical noises.

Specifications provided by the manufacturer:

• Type: Electret Condenser
• Frequency Response – 50 to 20,000 Hz
• Polar Pattern Supercardioid/lobar
• Output Impedance 171 Ω
• Sensitivity open-circuit voltage, @ 1 kHz, typical -36.5 dBV/Pa (14.9 mV)
• Maximum SPL – 1 kHz at 1% THD 1000 Ω load: 129 dB SPL
• Signal-to-Noise Ratio 76.6 dB
• Dynamic Range @ 1 kHz: 1000 Ω load: 111.6 dB
• Clipping Level @ 1 kHz, 1% THD 1000 Ω load: -2.7 dBV
• Self Noise equivalent SPL, A-weighted, typical – 17.4 dB SPL-A
• Operating Temperature Range -18°C (0°F) to 57°C (135°F)
• Storage Temperature Range -29°C (-20°F) to 74°C (165°F)
• Operating Relative Humidity 0 to 95%
• Polarity, Positive pressure on the diaphragm, produces positive voltage on the tip and ring relative to the sleeve.
• Housing Satin-black powder-coated aluminum alloy
• Power Requirements 1 AA battery (Alkaline, NiMH, Rechargeable Li-Ion)
• Battery Life 130 Hours (Alkaline)
• Net Weight 133 g (4.7 oz.)

Comics CVM-V30

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The Comic CVM-V30 should be one of the budget options for an average videographer. It provides you access to an enhanced efficiency despite a few downsides. The microphone works with three AAA batteries and offers you a decent battery backup.

The super-cardioid polar pattern is a great feature and a surprise for the price that the microphone is made available at. The function can be the right choice for off-axis noise reduction. Yet another feature that we found much impressive on the DSLR microphone was the low cut filter. This can help avoid low-frequency noises such as rumbles. The shockproof design does away the mechanical sounds that can result from handling.

Move VXR10

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The Movo VXR10 should be one of the perfect preferences for a great microphone in a compact microphone category. The receiver has a Cardioid Polar pattern. You also get access to a furry windscreen along with a sturdy stock mount.

It comes with the 3.5mm TRS and 3.5 TRRS connectors, and that would make it much suitable for DSLR cameras, smartphones, tablets, audio recorders, and laptops. You can also be assured of exceptional connectivity with your DSLRs and other devices. The microphone offers you a 35Hz – 18kHz frequency response range, which should be a great option in itself.

In Conclusion

In case you are using a DSLR camera and using it, preferably for video recording, you would invariably be affected by the unwanted static sounds. The background noise begins as soon as someone stops talking. This can make your video look extremely unprofessional in terms of quality.

The interview microphones that we have featured in this compilation should ideally help you get access to the best experience. Choose any of them based on your exact needs and then share your experiences with our fellow readers.

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