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List of the Best Parfocal Lenses (from Nikon, Canon, and Sigma)

List of the Best Parfocal Lenses

Parfocal lenses maintain focus when zooming. They allow photographers and videographers to adapt the focal length without having to readjust focus. They keep the focus, although there are changes in the lenses‘ magnification or focal length. So, they allow cinematographers to zoom in and out from a subject and maintain the same focus.

Parfocal lenses are created for action photography, such as those with quick apertures and long telephoto focal lengths. As part of binoculars, these lenses are widely regarded as “zoom” or “focus adjusting” lenses.

They are used for zoom shots, dolly zooms, and crash zooms. The parfocal zoom lenses are critical to effective dolly zoom shots, which not only zoom but simultaneously move the camera. Crash zooms are typically found all over Quentin Tarantino’s directing style. It would not be easy to achieve these without using parfocal lenses.

They contain particular internal elements and are equipped with internal focusing mechanisms to maintain their focus irrespective of what you do with them. Their versatility indicates their ability to work on portraits, landscapes, sports, and several other things.

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Comparison between parfocal lenses and varifocal lenses:

Aspect Parfocal Lens Varifocal Lens
Focus Maintenance Maintains focus when zooming; no need for refocusing Requires refocusing after zooming
Zooming Capability Smooth and continuous zooming Smooth and continuous zooming
Applications Photography, videography, fast-paced situations Surveillance, security, video conferencing
Precision Offers precise focus control It may require more manual focus adjustments
Lens Design Complex internal lens design to maintain focus Simpler lens design
Cost Generally, higher costs due to the complexity of the design Usually lower price due to more straightforward design
Availability Available in a range of focal lengths and for various cameras Widely available with different options and compatibility

These are some of the critical differences between parfocal lenses and varifocal lenses. Parfocal lenses are explicitly designed to maintain focus while zooming, which makes them suitable for situations where maintaining focus is crucial, such as professional photography and videography.

On the other hand, varifocal lenses require refocusing after zooming and are commonly used in surveillance, security, and video conferencing applications. Parfocal lenses’ cost and complexity are generally higher than varifocal lenses.

Benefits of parfocal lenses:

Best Parfocal lenses from Nikon:

Parfocal lenses from Nikon are a remarkable innovation in photography, offering photographers unparalleled convenience and precision. These lenses are designed to maintain focus on a subject when zooming in or out, eliminating the need for continuous refocusing and ensuring sharpness throughout the zoom range. Whether capturing a distant landscape or a close-up portrait, parfocal lenses provide consistent image quality and allow photographers to compose their shots without worrying about losing focus.

From Amazon Global:

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Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Check on Amazon

 

Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Check on Nikon
Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Check on Amazon
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Check on Amazon

4. Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR:

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It is a versatile wide-angle to short telephoto lens famous for its electromagnetic aperture system and constant f/2.8 maximum aperture. You can use this lens with a Nikon full-frame high-resolution DSLR and obtain excellent clarity and sharpness. It suits studio work, landscape, press events, and weddings. It is versatile, efficient, and durable.

Its optical design contains a unique aspherical extra-low dispersion element, three aspherical, two extra-low dispersion, and high refractive index elements. They decrease distortions and chromatic aberrations across the zoom range.

The captured photos and videos perfectly balance soft blur effects and sharpness. They are free of ghosting, flare, spherical/chromatic aberration, and coma at any edges of the frame.

Features:

Specifications:

Lens type Normal
Camera lens description 4
Compatible mountings Nikon F
Lens elements 20
Focal length 24-70 mm
Maximum aperture 2.8 mm
Minimum aperture 22
Maximum aperture range F2.8
Photo filter thread size 82 mm
Minimum focus distance 35 to 50 mm focal length for 0.38 m from the focal plane; 24, 28, and 70 mm focal lengths for 0.41 m from the focal plane
Distance from camera lens mount flange 154.5 mm
Dimensions and weight 5.75 x 5.75 x 9.25 inches; 2.36 lbs
Included accessories LC-82 82mm Snap-On front lens cap, LF-4 rear lens cap, HB-74 bayonet hood, CL-M3 lens case

Pros:

Cons:

3. Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR:

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This fast telephoto zoom lens offers outstanding performance for sports, wildlife photography, portraits, weddings, concerts, everyday shooting, and shooting in low-light conditions. The quality output makes it suitable for both serious hobbyists and pros. Whether you are shooting a powerhouse like the D5 or a DX DSLR like the D500, you can use this lens.

Its high durability and superior optics let it deliver outstanding results and upkeep focus while you zoom. So, it is perfect for wildlife and sports photography.

When used in a high-ISO Nikon DSLR, this lens explores new possibilities for shooting wildlife at dawn and dusk, sports, weeding, etc.

Features:

Specifications:

Lens type Telephoto
Maximum format size Full Frame
Format FX/35 mm
Compatible mountings HB-78
Focal length 70-200 mm
Minimum aperture 2.8 mm
Maximum aperture 22 mm
Maximum aperture Range F2.8
Minimum aperture f/ 22
Photo filter thread size 77 mm
Minimum focus distance 1.1 m
Diaphragm blades 9
Focus distance indicator 1.1 am to infinity
Image stabilization Up to ~4.0 stops
Acceptable filter-type Screw-on
Compatibility New Z Nikkor lenses, over 360 F-mount Nikkor lenses, and a wide range of Nikon system accessories
Dimensions and weight 7.9 x 3.4 x 3.4 inches; 3.15 lbs

Pros:

Cons:

2. Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR:

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This Nikon product is a versatile lens that covers portrait-length to super-telephoto focal lengths. It uses four extra-low dispersion elements and a super extra-low dispersion element. These elements significantly decrease color fringing and chromatic aberrations all over the zoom range for enhanced clarity and color accuracy.

The included lens hood blocks bright light sources like the sun and light from the lens to avoid lens flare and glare.

Due to the long maximum focal length, the lens allows you to focus on a tiny part of a scene. Subsequently, it provides a narrower angle of view than shorter focal lengths. You get the broadest angle of view at the shorter end of the lens. So, the lens lets you fit more parts of the scene into an image (according to APS-C format).

Features:

Specifications:

Lens type Zoom, telephoto
Lens mount Nikon F
Lens format coverage Full-Frame
Focus type Autofocus
Focal length 80 to 400mm
Minimum focus distance 5.74′ / 1.75 m
Maximum aperture f/4.5 to 5.6
Minimum aperture f/32 to 40
Maximum magnification 0.2x
Angle of view 30° 10′ to 6° 10′
Optical design 20 elements in 12 groups
Diaphragm blades 9, rounded
Tripod collar Rotating and removable
Filter size 77 mm (Front)
Dimensions and weight 3.76 x 7.99 inches; 1.57 kg

Pros:

Cons:

1. Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR:

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This super-telephoto zoom lens is suitable for Nikon digital SLR cameras. It lets you capture and share magnificent views of wildlife, birds, athletes, motorsports, landmarks, and other far subjects. The fast f/5.6 constant aperture provides your shots and speed. It also offers stunning out-of-focus backgrounds over the whole zoom range.

Features:

Specifications:

Lens type Telephoto Zoom
Camera lens description 4
Maximum format size APS-C
Compatible mountings Nikon F
Focal length 200-500mm
Maximum aperture f/5.60
Minimum aperture f/32.00
Filter size 95 mm
Dimensions and weight 10.5 x 4.2 x 4.2 inches; 5.07 lbs
Included accessories LC-95 95mm Snap-On front lens cap, HB-71 Bayonet Hood, LF-4 rear lens cap, CL-1434 semi-soft case

Pros:

Cons:

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Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR:

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The image stabilization system in this lens provides flawless, blur-free images for handheld photography. This lens is compatible with Nikon F (FX) digital SLR cameras.

Features:

Specifications:

Camera lens description Zoom lens
Lens type Zoom lens
Focus type Auto, Manual
Focal length description 28-300 mm
Compatible Mountings Nikon F
Maximum aperture 3.5-5.6 mm
Minimum aperture f/22
Minimum focus distance 1.64 ft
Magnification 0.32x
Compatible format(s) FX, DX, FX in DX Crop Mode, 35mm Film
Angle of view 74 – 8.1 degrees (FX Picture Angle); 53 – 5.2 degrees (DX Picture Angle)
Filter thread (diameter) 77 mm
Zoom ratio 10.7x
Lens construction 19 elements in 14 groups
VR (Vibration Reduction) Image Stabilization Supported
Diaphragm blades 9
Distance information Supported
ED glass elements 2
Aspherical elements 3
Super integrated coating Available
AF-S (Silent Wave Motor) Included
Internal focusing Supported
G-type Supported
Accepts filter-type Screw-on
Dimensions and weight 11.5 x 8.3 x 8.3 cm; 800 grams
Included accessories Bayonet Hood HB-47, 58mm snap-on front lens cap LC-58, rear lens cap LF-4, flexible lens pouch CL-1013

Pros:

Cons:

Best Parfocal lenses from Canon:

Canon is renowned for its exceptional range of parfocal lenses, offering photographers unrivaled precision and versatility. Among the best parfocal lenses from Canon, the EF 24-70mm f/2.8L II USM stands out as a powerhouse, providing a constant aperture, superb image quality, and a versatile zoom range ideal for various shooting scenarios.

Another top contender is the EF 70-200mm f/2.8L IS III USM, renowned for its exceptional sharpness, advanced image stabilization, and reliable autofocus, making it a favorite among sports and wildlife photographers. Canon’s commitment to optical excellence and innovation ensures that these parfocal lenses deliver outstanding performance and reliability, empowering photographers to easily capture breathtaking images.

Image Product Name Buy Now
Canon EF 200-400mm f/4L IS USM Extender 1.4x Check on Amazon

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Canon EF 75-300mm f/4-5.6 III USM Check on Amazon

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Canon EF 90-300mm f/4.5-5.6 USM Check on Amazon
Canon EF 100-400mm f/4.5-5.6L IS II USM Check on Amazon

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Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount) Check on Amazon
Canon EF 70-200mm f/4L USM Check on Amazon

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Canon EF 70-200mm f/2.8L USM Check on Amazon

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Canon CN-E 135mm T2.2 L F Cinema Prime Check on Amazon

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Canon EF 70-200mm f/2.8L IS III USM Check on Amazon

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Canon EF 24-70mm f/2.8L II USM Check on Amazon

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Canon EF 17-40mm f/4L USM Check on Amazon

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Canon CN-E 18-80 T4.4 Check on Amazon

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Canon EF 16-35mm f/2.8L III USM Check on Amazon

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13. Canon EF 16-35mm f/2.8L III USM:

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This Canon f/2.8L ultra-wide-angle zoom lens is designed to perform reliably even in the severest conditions. Its body is dust- and water-resistant. It perfectly captures wide-angle shots and landscapes while also maintaining your aperture. It comes protected in a nonstick fluorine coating. The output is sharp at all focus distances and apertures.

The latest optical design significantly improves outer and corner sharpness. UV protection filter decreases ultraviolet light and makes the lens suitable for everyday use. It helps remove bluish cast in images.

Features:

Specifications:

Lens type Ultra Wide Angle Zoom
Focus type AF with full-time manual
Focal length 16-35 mm
Max. format size Full frame
Max. focal length 35 mm
Minimum focus distance 0.92 Feet
Aperture range f/2.8 to f/22
Lens diameter 88.5 mm
Lens construction of 16 elements in 11 groups
Photo filter effect type Ultraviolet
Filter size 3.2 inches
Focus adjustment AF
Motor Ring-type ultrasonic motor AF system
Coating Multi-Coating
Dimensions and weight 3.50 x 3.50 x 5.00 inches; 1.74 lbs

Pros:

Cons:

12. Canon CN-E 18-80 T4.4:

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This lens’s parfocal design maintains focus during zoom and offers versatile zoom capabilities. It is created with EF-mount cameras with Super 35 or APS-C-sized sensors. This lens is Canon’s first cine-style option to include autofocus and image stabilization functionalities when paired with Cinema EOS cameras.

The lens encompasses an 18 to 80mm focal range while maintaining a continuous T-stop of T4.4 (f/4) all over the content.

It is compact and lightweight and suitable for various productions, including narrative work, run-and-gun documentaries, etc.

The built-in RS-422 port provides lens control. So, you can use this lens as a PTZ system to configure your camera. Also, it is suitable for performing remote options while on a crane or jib. Hence, the lens is helpful in concerts, live productions that capture the cinematic capabilities of the lens, and houses of worship.

Features:

Specifications:

Camera lens description 9
Lens type Normal
Lens format coverage Super35/APS-C
Focal length description 18-80 mm
Minimum focus distance From: 0.5 m
Lens mount Canon EF
Compatible mountings Canon EF
Maximum aperture T4.4, f/4
Image circle 31.4 mm
Filter thread 77 mm
Diaphragm blades 9
Dimensions and weight 18 x 14 x 10 inches; 9 lbs

Pros:

Cons:

11. Canon EF 17-40mm f/4L USM:

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It is suitable for nature/wedding photography. Its body is resistant to water, dust, and other weather elements. You can use it in harsh environments. It is perfect for both digital and film SLR cameras. You can use this lens in your camera to capture landscapes and interiors. It provides an effective USM and Canon’s full-time manual focus, generating silent and fast autofocus.

Features:

Specifications:

Camera lens description 12
Lens type Wide Angle
Focal length description 17 -40 Ultrawide
Compatible mountings Canon EF
Max. format size 35 mm full frame
Max. aperture f/4
Min. aperture f/22
Min. operation distance 0.28 m
Photo filter thread size 77 mm
Diagonal angle of view 104° 57° (@30 feet)
Focus adjustment Inner focusing system with USM
Zoom system Rotating type
Dimensions and weight 3.82 x 3.31 x 3.31 inches; 1.1 lbs
Included accessories E-77U 77 mm Snap-On lens cap, EW-83E lens hood, lens dust cap E (rear), lens case LP1319

Pros:

Cons:

10. Canon EF 24-70mm f/2.8L II USM:

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This Canon lens is famous for its versatility and sharpness, making it a favorite choice among professionals. It upkeeps focus while you zoom. So it allows smooth transitions.

It is built with improved water and dust sealing resistance. The fluorine coatings on the front and rear lens surfaces help decrease smears, soiling, and fingerprints.

Features:

Specifications:

Camera lens description 9
Lens type Wide Angle
Compatible mountings Canon EF
Maximum format size 35 mm FF
Focal length 24-70 mm (112 mm equivalent focal length on Canon APS C cameras)
Maximum aperture 2.8
Minimum aperture F22
Focal length 24-70 mm
Filter size 82 mm
Closest focusing distance 1.25 feet
Maximum magnification(x) 0.21(at 70 mm)
Diagonal angle of view 84° – 34°
Focus adjustment Inner-focusing on USM
Motor Ring type ultrasonic type AF motor having full-time manual focusing
Zoom system Rotating type
Dimensions and weight 4.45 x 3.5 x 3.5 inches; 1.77 lbs
Included accessories Lens cap E-82U, lens dust cap E, lens case LP1219, lens hood EW-88C, instruction book, 1-year warranty card

Pros:

Cons:

9. Canon EF 70-200mm f/2.8L IS III USM:

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You can use this lens to focus on a wide range of subjects, from sports to portraiture. Its fast, constant f/2.8 maximum aperture performs well in low lighting conditions. Also, it gives improved control over the depth of field for isolating subjects. The lens is built in weather-sealed design.

Features:

Specifications:

Camera lens description 200
Focal Length 70-200 mm
Motor Ring-Type Ultrasonic Motor AF System
Coating Air Sphere Coating, Fluorine Coating
Compatible mountings Canon EF
Compatible Canon cameras EOS 7D Mark II, 77D, 70D 80D, Rebel T3, T3i, T4i, T5, T5i, T6, T6i, T6s, T7, T7i, SL1, SL2 APS-C Cameras; EOS 5D Mark III, 5D Mark IV, 6D Mark II, 5DS, 5DS R, 1Dx Mark II Full Frame DSLR Cameras, etc.
Dimensions and weight 7.83 x 3.5 x 3.5 inches; 5.86 lbs
Included accessories Three piece filter kit includes: UV, circular polarizer, fluorescent filter, hard case; 5-piece lens cleaning kit; lens cap leash; lens pen cleaner; microfiber cleaning cloth

Pros:

Cons:

8. Canon CN-E 135mm T2.2 L F Cinema Prime:

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This Cinema Prime lens is uniquely designed for professional video applications. It provides parfocal capabilities. It is a telephoto prime lens compatible with the full-frame sensor format. So, it is an ideal lens for the Cinema EOS series and all Canon EOS DSLRs.

All control rings are precision-designed to achieve ultra-smooth operation and maintain constant torque. Its all-glass optical construction minimizes differences due to temperature deviations.

Features:

Specifications:

Camera lens description 135 month
Lens type Telephoto
Lens format coverage Full Frame
Focal length 135 mm
Maximum aperture T2.2
Lens mount Canon EF
Diaphragm blades 11
Imaging circle Full-frame
Compatibility 1D X, 1D X Mark II, 1D X Mark III, 5D Mark
Dimensions and weight 12 x 10 x 10 inches; 4.68 pounds
Included accessories 1 x lens cap keeper, 1 x lens pouch, 1 x cleaning kit

Pros:

Cons:

7. Canon EF 70-200mm f/2.8L USM:

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This telephoto zoom slens’s constant f/2.8 maximum aperture and outstanding image quality make it one of the market’s most famous professional SLR lenses.

Features:

Specifications:

Camera lens description 8
Lens type Telephoto
Format 35 mm Full-Frame, Canon (APS-C)
Focal length F/2.8L
Compatible mountings Canon EF
Diagonal angle of view 34-12 degrees
Zoom system Rotating type
Filter size 77 mm
Closest focusing distance 4.9 feet
Magnification 0.16x
Lens construction 18 elements in 15 groups
Dimensions and weight 7.64 x 3.35 x 3.35 inches; 2.9 pounds
Included accessories Lens Case LZ1324, lens hood ET-83II, zoom instruction book, neck strap 7(2) w/o shoulder pad, 1-year limited warranty card

Pros:

Cons:

6. Canon EF 70-200mm f/4L USM:

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The critical aspects of this Canon lens are an inner focusing system, an f/4 maximum aperture, and a ring-type ultra-sonic monitor (USM). The first two features combine to provide quiet and fast autofocusing. So, it is suitable for beginners and professional photographers. You can use it for Canon SLR cameras.

The ring-type USM is fast, quiet, and enables full-time minimum focus. It also provides the closest MF of any L-series 70-200 designs.

Features:

Specifications:

Camera lens description 13
Lens type Telephoto
Max. format size 35 mm full frame
Focal length 70-200 mm
Focal length with Extender EF 1.4x II / EF 2x II 98–280mm f/5.6 / 140–400mm f/8
Compatible mountings Canon EF
Max. aperture range F4.0
Min, aperture f32
Min. operating distance 1.2 m
Photo filter thread size 67 mm
Lens construction 16 elements in 13 groups
Diagonal angle of view 34 to 12 degrees
Magnification with extension tube EF 12 0.23x – 0.06x
Magnification with extension tube EF 25 0.39x – 0.13x
Zoom system rotating type
Dimensions and weight 6.77 x 2.99 x 2.99 inches; 14.1 ounces

Pros:

Cons:

5. Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount):

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This Cine Zoom lens is suitable for 4K HDR Image Capture. It offers HDR and 4K compatible imaging for Super 35-sensor digital cinema cameras.

It maintains focus while zooming. So, you can vary the focal length without refocusing. The parfocal capability is quite advantageous in cinematography, where smooth zooms with uniform direction are required. This lens lets you achieve continuous stress in the entire zoom range.

The lens provides coverage in the typically used 70-200mm range. You can expand the range further by using the optional Canon EF 1.4x III and 2x extenders. The lens’s color characteristics match Canon cinema lenses, allowing smooth intercutting.

Features:

Specifications:

Camera lens description
Lens type Zoom Lens
Focal length 70-200 mm
Lens format coverage Super35/APS-C
Lens mount Canon EF
Compatible mountings Canon EF
Maximum aperture T4.4
Image circle 28.2 mm
Focus scales Metric, Imperial
Minimum focus distance From Camera Sensor: 3.9′ / 1.2 m
Filter thread 77 mm
Diaphragm blades 9
Image stabilization Supported
Electronic communication Supported
Compatibility Cinema Camera 6K, Blackmagic Design Pocket Cinema Camera 6K Pro, 70D, 77D, 7D Mark II, 80D, 90D, C100 Mark II EF-Mount, C100 EF-Mount, C200 EF-Mount, C300 EF-Mount, C300 Mark II EF-Mount, C300 Mark III EF-Mount, C500 EF-Mount, C500 Mark II EF-Mount, C700 EF-Mount, T5, T5i, T6, T6i, T6s, T7, T7i, T8i, SL1, SL2, SL3
Dimensions and weight 7.17 x 1 x 7.17 inches; 12.12 pounds
Included accessories 1 x 77mm 3-piece filter kit, 1 x SanDisk 64GB Ultra SDXC memory card, 1 x pro sling backpack, 1 x memory card reader, 1 x memory card wallet, 1 x 12 inch flexible tripod, 1 x lens cap keeper, 1 x cleaning kit, 1 x hand strap, 1 x lens pouch

Pros:

Cons:

4. Canon EF 100-400mm f/4.5-5.6L IS II USM:

 

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This lens is a versatile choice for wildlife and sports photographers. Also, it is a feasible telephoto zoom lens for various shooting applications. It uses Super Ultra-low Dispersion (Super UD) and Fluorite lens elements to deliver high-contrast, sharp images. They decrease distortions and aberrations over the zoom range to ensure clarity, color reproduction, and image sharpness.

Features:

Specifications:

Lens type Telephoto
Max. format size Full frame
Focal length 100-400 mm
Max. aperture f/4.5
Min. aperture f/32
Max. aperture range 5.5
Photo filter thread size 77 mm
Compatible mountings Canon EF
Dimensions and weight 7.6 x 3.7 x 3.7 inches; 3.62 lbs
Included accessories 77 mm protect filter, lens hood ET-83D, extender EF 1.4x III, 77 mm circular polarizer, lens dust cap E, lens cap E-77II, lens case LZ1326, booklet, warranty card (EUR)

Pros:

Cons:

3. Canon EF 90-300mm f/4.5-5.6 USM:

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Those above 90-300 mm lenses are lightweight and compactly designed telephoto zoom lenses. It is one of those lenses with the fastest AF speed in its class.

The AF-powered pattern is optimized for the EOS 300V, providing a faster AF speed. The latest high-speed CPU offers prompt communication between the camera and the lens. The latest AF algorithm has been developed. The exterior design matches the style of other EOS camera models.

Features:

Specifications:

Camera lens description 300 month
Max. format size Full format
Focal length 90-300 mm
Lens type Telephoto zoom lens
Compatible mountings Canon EF
Max. aperture f/4.5
Max. magnification 0.25x
Min. focus 1.5m
Photo filter thread size 58 mm
Dimensions and weight 6.7 ounces

Pros:

Cons:

2. Canon EF 75-300mm f/4-5.6 III USM:

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This telephoto zoom lens for Canon SLR cameras is perfect for shooting wildlife, portraits, and sports. The advanced zoom mechanism makes zooming smoother. Also, it makes this lens version suitable for applications that need quick autofocus, like wildlife shoots or sporting events. It is also ideal for applications that require fast AF.

The lens shows a close focusing range and compact size. It also provides accessory compatibility for the non-USM lens.

Features:

Specifications:

Max. format size 35 mm full frame
Focal Length Description 75-300 mm
Lens Type Telephoto
Compatible Mountings Canon EF
Camera Lens Description 300 month
Max. aperture range F4.0-F5.6
Min. aperture range f/22 – 22
Closest focusing distance 1.5m
Zoom system rotating type
Photo filter thread size 58 mm
Lens construction 13 elements in 9 groups
Focus adjustment Front group rotating extension system with USM
Diagonal angle of view 32° 11′ – 8° 15′
Dimensions and weight 4.8 x 2.8 x 2.8 inches; 1.06 lbs
Included accessories Instruction Book; 1-year Limited Warranty Card

Pros:

Cons:

1. Canon EF 200-400mm f/4L IS USM Extender 1.4x:

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This high-performance L-series super-telephoto zoom has a 1.4x extender (converts focal range to 280-560 mm and maximum aperture to f/5.6). So, it is perfect for wildlife and sports photography. The extender is placed at the lens’s bottom and applied with a simple lever switch. The lens is weather-sealed for use in challenging environmental conditions.

Features:

Specifications:

Camera lens description 400 mm
Lens type Telephoto
Focal length 200-400 mm
Compatible mountings Canon EF
Min. aperture 4
Photo filter thread size 52 mm
Other features Focus limiter, Focus Preset
Weight 7.98 pounds
Included accessories Removable & rotatable tripod collar, E-145C lens cap, lens dust cap E (rear), lens wide strap B f/EF 300 / 400 mm, lens case 200-400, ET-120 lens hood, strap for a hard case, professional telephoto lens cleaning kit, 52 mm drop-in gelatin filter holder

Pros:

Cons:

Best Parfocal lenses from Sigma:

Sigma offers a range of outstanding parfocal lenses that cater to the diverse needs of photographers. One standout option is the Sigma 18-35mm f/1.8 DC HSM Art lens, known for its impressive image quality, constant aperture, and versatile zoom range, making it a favorite among videographers and photographers.

The Sigma 50-100mm f/1.8 DC HSM Art lens is highly regarded for its exceptional sharpness, fast aperture, and smooth zoom operation, making it an excellent choice for portrait and telephoto photography.

With Sigma’s commitment to optical excellence and innovation, these parfocal lenses provide photographers with reliable, high-performing tools to capture stunning images and videos.

From Amazon Global:

Image Product Name Buy Now
Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Check on Amazon

 

Sigma 24-105mm f/4 DG OS HSM Art Check on Amazon
Sigma 50-100mm T2 Cine High-Speed Zoom Check on Amazon
Sigma 24-70mm f/2.8 DG OS HSM Art Check on Amazon

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Sigma 18-35mm f/1.8 DC HSM Art Check on bhphotovideo

5. Sigma 18-35mm f/1.8 DC HSM Art:

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Sigma designed this lens for APS-C sensor cameras. However, it attained fame for its exceptional parfocal abilities and image quality. It covers wide-angle to standard focal lengths.

The f/1.8 constant maximum aperture makes the lens suitable for challenging lighting conditions. Also, it provides excellent depth of field control all over the zoom range.

The optical design includes multiple SLD and aspherical elements. These elements help the lens attain sharpness and clarity by reducing color fringing, aberrations, and distortion. Hence, the lens achieves high color accuracy and clarity.

Features:

Specifications:

Lens format coverage APS-C
Lens mount Canon EF
Focal length 18 to 35 mm (35 mm equivalent: 28.8 to 56 mm)
Focus type Autofocus
Max. aperture f/1.8
Min. aperture f/16
Min. focus distance 28 cm
Max. magnification 0.23x
Macro reproduction ratio 1:4.3
Angle of view 76.5° to 44.2°
Optical design 17 elements in 12 groups
Diaphragm blades 9, rounded
Filter size 72 mm (front)
Length at maximum extension 4.77 inches
Dimensions and weight 3.07 x 4.76 inches; 1.78 lbs

Pros:

Cons:

4. Sigma 24-70mm f/2.8 DG OS HSM Art:

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This Sigma lens is suitable for those who want consistent resolution at up to F2.8 brightness or lower and efficiently control the beautiful bokeh effect. It is perfect for nature, news, and many other types of photography.

The front lens comes with an oil- and water-repellent coating. A rubber sealing is included in the mount design to make the lens splash and dust-resistant. Thermally stable composite (TSC) material construction provides high precision and sustains broad temperature variations. The contemporarily designed HSM and optical stabilizer functionality offer success on any shoot.

Features:

Specifications:

Lens type Wide Angle
Focal length description 24-70mm F2.8
Focus type Auto Focus
Focal length 24-70 mm
Compatible mountings Canon EF
Max. aperture f/2.8
Min. aperture F22
Photo filter thread size 82 mm
Lens construction 19 elements in 14 groups
Angle of view 84.1 degrees – 34.3 degrees
Min. focusing distance 37 cm
No. of diaphragm blades 9, rounded
Max. magnification ratio 1:48
Max. magnification 0.21 x
Precision High-precision, rugged brass bayonet mount and optical Stabilizer
Glass quality Exclusive low-dispersion glass
Dimensions and weight 3.5 x 4.2 x 4.2 inches; 2 lbs
Included accessories Lens hood LH876-04, soft padded case, front cap LCF II 82 mm, rear cap LCR II

Pros:

Cons:

3. Sigma 50-100mm T2 Cine High-Speed Zoom:

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Sigma uniquely designed this lens for cinematography. It supports parfocal functionality to guarantee accurate focus throughout the zoom range. It provides a constant aperture of T2 in the entire zoom range.

The optical performance makes the lens suitable for high-resolution shooting in 6K to 8K. The lens provides superior image quality in its class.

Features:

Specifications:

Camera lens description 100 month
Focal length description 50-100 mm
Lens type Zoom Lens
Lens format coverage Super35/APS-C
Maximum aperture T2
Minimum aperture T16
Lens mount Canon EF
Focus scales Imperial
Minimum focus distance From: 96.5 cm
Image circle 28.4 mm
Filter thread size 82 mm
Diaphragm blades 9
Dimensions and weight 0.39 x 7.09 x 12.99 inches; 4.58 pounds
Included accessories 1x removable support foot

Pros:

Cons:

2. Sigma 24-105mm f/4 DG OS HSM Art:

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This product is a premium lens created for full-frame cameras. It will also work with APS-C sensors with an effective boost in focal length. It is a versatile and everyday lens.

Features:

Specifications:

Camera lens description 105 mm
Lens type Normal
Lens diameter 3.5 inches
Focal length 24-105 mm
Lens construction 19 elements in 14 groups
Min. aperture f22
Min. focusing distance 45 cm
Filter size 82 mm
Max. magnification 1:4.6
Angle of view 84.1 degrees – 23.3 degrees
No. of diaphragm blades 9
Compatible mountings Sigma SA Bayonet
Weight 1.95 pounds

Pros:

Cons:

1. Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary:

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This latest Sigma lens is implemented with updated Sigma technologies like a quiet and optimized Hyper Sonic Motor (HSM) and Optical Stabilizer (OS) (with an accelerometer) for enhanced panning photography both horizontally and vertically. This lens is suitable for wildlife, birding, and motor photography.

The optical stabilization uses a built-in mechanism that counterbalances the camera shake. It significantly explores photographic possibilities by eliminating camera movement while shooting using a handheld camera.

Features:

Specifications:

Camera lens description 600
Lens type Telephoto zoom lens
Focal length 150-600 mm
Focus type Autofocus
Aperture range f/5-6.3
Magnification 0.20x
Filter thread (diameter) 95 mm (Dustproof and splash-proof)
Compatible mountings Nikon F
Dimensions and weight 25.7 x 19.3 x 8.4 inches; 1 pound
Included accessories Sigma USB Dock for Nikon lenses, 62-inch lightweight monopod (black), 95 mm circular polarizing and UV protective lens filter bundle, 5-piece digital camera cleaning and accessory kit, 64 GB Ultra SDXC UHS-I 100MB/s memory card, camera bag

Pros:

Cons:

From Amazon India:

Image Product Name Buy Now
Sigma 50-100mm f/1.8 DC HSM Art Check on Amazon India

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Sigma 17-70/2.8-4.5* Check on Amazon India

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Sigma 18-50/2.8 EX Macro Check on Amazon India
Sigma EX 10-20 f4-5.6** Check on Amazon India

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4. Sigma EX 10-20 f4-5.6:

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The ‘DC’ designation in this lens shows that it is created for DSLRs with APS-C or smaller sensors. It is a 10- to 20mm ultra-wide angle lens designed especially for Canon digital SLR cameras.

Features:

Specifications:

Form factor DSLR
Lens type Zoom lens
Focal length 20 mm
Focus method Internal
Compatible mountings Sigma SA
Min. aperture F22
Min. focusing distance 9.4 inches at all focal lengths
Max. magnification 0.15x
Lens construction 14 elements in 10 groups
Filter size (diameter) 77mm
Number of diaphragm blades 6, rounded
Angle of view 102.4 degrees-63.8 degrees
Optical sensor resolution 24 MP
Optical zoom 2x
AF motor type Ring-type hypersonic motor (Nikon, Canon, Four Thirds, Sigma); full-time manual focus
Speaker diameter 8.1 cm
Material Metal mount
Autofocus Supported
Lens mount compatibility Nikon, Canon, Sigma, Pentax, Sony, Four Thirds
Dimensions and weight 8.1 x 8.4 x 8.4 cm; 470.01 grams
Included accessories AC adapter, front and rear caps, lens hood

Pros:

Cons:

3. Sigma 18-50/2.8 EX Macro:

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This Sigma lens provides a massive aperture of f/2.8 over its whole range of focal lengths. Its enormous depth of field offers excellent freedom of creative expression. It is perfect for low-light conditions. It encompasses wide-angle to medium telephoto. Also, it is ideal for various types of subjects. You can use it with Canon digital SLR cameras.

It proves to be an ideal large aperture standard zoom lens for digital SLR cameras equipped with an APS-C size image sensor. The design of the lens power layout considers the digital SLR cameras’ characteristics. The latest design guarantees excellent peripheral brightness.

Features:

Specifications:

Form factor ‎DSLR
Camera lens description 50 mm
Lens type Standard, Macro, Wide Angle
Focal length 18-50 mm
Compatible mountings Canon
Aperture f/2.8
Min. focusing distance 8 inches
Max. magnification factor 1:3
Optical zoom ‎2.8 x
Minimum diaphragm opening ‎22
Actual viewing angle ‎69.3 Degrees
Auto Focus ‎Supported
Dimensions and weight ‎8.64 x 7.87 x 7.87 cm; 453.59 grams

Pros:

Cons:

2. Sigma 17-70/2.8-4.5:

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This Sigma product is an ideal large-aperture standard zoom lens designed for Nikon digital SLR cameras with APS-C size image sensors. It is perfect for various subjects. It offers a maximum magnification of 1:2.3 to allow close-up macro photography.

The multilayer lens coating and new lens design decrease ghosting and flare. Moreover, the lens performs well even in low-light conditions.

Features:

Specifications:

Form factor ‎DSLR
Lens type ‎Macro
Focal length 70 mm
Compatible mountings Nikon
Lens construction 15 elements in 12 groups
Angle of view 72.4 to 20.2 degrees
Number of diaphragm blades 7
Minimum aperture f/2.2
Minimum focusing distance of 20cm
Optical zoom 4.1 x
Minimum diaphragm opening ‎2.8
Min focal length ‎17 mm
Actual viewing angle ‎72.4 degrees
Autofocus ‎Supported
Dimensions and weight ‎7.87 x 7.87 x 7.87 cm; 489.88 grams

Pros:

Cons:

1. Sigma 50-100mm f/1.8 DC HSM Art:

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This f1.8 lens features a 1.8 aperture throughout its focal length. It covers a proper range of 75-150mm. It is the world’s first APS-C zoom for DSLRs to provide a constant F1.8 aperture value all over the zoom range. It is ideal for capturing portraits with delicate bokeh effects and more.

It encompasses the focal lengths of three prime lenses in a package. These lenses are 85 mm F1.8, 105 mm F1.8, and 135 mm F1.8 (35mm equivalent).

Features:

Specifications:

Form factor DSLR
Lens type Telephoto
Camera lens description 75-150mm
Lens diameter 82mm
Lens construction 21 elements in 15 groups
Mounting type Canon EF
Focus type Autofocus
Focal length 50-100 mm
Min. focusing distance 95 cm
Max. aperture f/1.8
Min. aperture f/22
Max. magnification ratio 1:6.7
Autofocus Supported
Actual viewing angle 31.7 degrees
Filter thread (diameter) 82 mm
Camera compatibility Canon digital SLR cameras
Compatible mountings Sigma, Sony, Nikon, Canon, Pentax
Coating Super multilayer coating
Dimensions and weight 17.02 x 9.4 x 9.4 cm; 1.36 kg
Included accessories Front cap, rear cap, lens hood

Pros:

Cons:

Concluding Note:

The parfocal lens’s ability to maintain focus while capturing and shooting ensures a smooth photography and videography experience. They guarantee outstanding image quality and sharpness. Also, you benefit from quiet, quick, and precise autofocus of your subject.

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